The 2025–2026 season features a range of new creations, reimagining some of the most iconic classical works:
- Swan Lake, choreographed by Laurent Drousie;
- Vivaldi, also created this season for the junior ballet by Laurent Drousie;
- And an end-of-the-season performance bringing together various choreographers, with the aim of celebrating and showcasing the unique diversity of Brussels.
The pieces are designed for audiences of all ages and social backgrounds. They speak to both professionals and dance enthusiasts alike — from passionate performing arts enthusiasts to newcomers whose curiosity has been sparked.
Swan Lake
Friday, January 30, 2026, at Wolubilis (Brussels), at 20:30 – Tickets link
Saturday, January 31, 2026, at Wolubilis (Brussels), at 20:30 – Tickets link
Saturday, February 14, 2026, at the Maison de la Culture d’Ath, at 15:00 – Tickets link
Saturday, February 14, 2026, at the Maison de la Culture d’Ath, at 20:00 – Tickets link
Sunday, February 22, 2026, at the Centre Culturel d’Ottignies-LLN, at 15:30 – Tickets link
Sunday, February 28, 2026, at Cultuurcentrum Den Blank (Overijse), at 20:30 – Tickets link
Wednesday, March 4, 2026, at the Whalll Auditorium, at 20:00 – Tickets link
Thursday, March 12, 2026, at the Centre Culturel de Verviers (Sold-out), at 20:00
Tuesday, March 24, 2026, at the Maison de la Culture d’Arlon (Sold-out), at 20:30
Friday, March 27, 2026, at the Centre Culturel de Nivelles, at 20:00 – Tickets link
Thursday, April 16, 2026, at the Centre Culturel de Bertrix (Sold-out), at 20:00
It is the story of an impossible but universal and undying love. It is a tragedy that crosses through the ages without ever stopping to shake people up. Shakespeare made Romeo and Juliet the heroes of all the stymie love stories
Since its creation in 1597, the Shakespearian play inspires and is the subject of multiple adaptations on the screen (big or small), in theatres, … Romeo and Juliet becomes a musical, reinvent itself in West Side Story or Grease.
How can we tell their story in our contemporary age? How do we go back to the essence of the story line to inject it into our society?
This new creation will vibrate in the rhythm of Berlioz’s and Prokofiev’s music added to other genre which will put our ballet right into our period. This story concerns everyone. We all were teenager once, even if it is a bit far for us to remember. We all had that moment where our hearts might have stopped for the person we love. Whether it is in 1597 or in 2022, teenagers are overwhelmed by the same emotions and so, can relate to the turmoil of Romeo and Juliet.
We want our ballet to be innovative and current. It will present emotions, feelings of the dancers. They will actively participate to the creation of the ballet. We want to create another story that will keep the essence of the Shakespeare’s play but will add modernity in it. Maybe it will be about two people from two different countries. Or people who are in their identity development. Or maybe it will be about two boys loving each other with Mercutio and Romeo as a cursed couple. How would this young love develop with so much love and so many obstacles? Will it result into death? Will it be a bloodshed and as violent as written?
Romeo and Juliet is not only about passionate love, it is also a sumptuous occasion to learn about love and to change close minds. Because everyone has the right to love and to be loved.
Vivaldi
Friday, April 10, 2026
NUMBER 6
JUNE 2026
